Hogan’s Brünnhilde was magnificent throughout the final operas, bright and thrilling in Siegfried, incisive and sympathetic in Götterdämmerung in the role’s many demands, not least in terms of stamina, and crowned by a compelling immolation scene.

— The Guardian

Rhodora by Joel Weiss

At a recent symphony concert I had the privilege of singing a piece written by my husband, Joel!


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