Kelly Cae Hogan gives Salome much nuance, her delivery soft, demanding, cajoling or powerful, always mindful of the text. She maintains the reserves and expansiveness to deliver the ecstasy of the final monologue with bravura.

— Weser Kurier

Concert Repertoire

Barber – Andromache’s Farewellconcert_crop

Barber – Knoxville: Summer 1915

Berlioz – Morte de Cleopatre

Beethoven – “Abscheulicher” from Fidelio

Beethoven – Ah, Perfido

Beethoven – 9th Symphony

Britten – War Requiem

Bruckner – Te Deum

Cilea – “Io son l’umile ancella” from Adriana Lecouvreur

Dvořák – Te Deum

Floyd – “Ain’t it a pretty night” from Susannah

Mahler – Symphony No. 2

Mahler – Symphony No. 8

Mozart – Requiem

Poulenc – Gloria

Poulenc – Stabat Mater

Strauss – “Orest, Orest” excerpt from Elektra for concert

Strauss – Final scene from Salome

Strauss – Vier Letzte Lieder

Verdi – Requiem

Wagner – Wesendonck Lieder

Wagner – “Immolation scene” from Götterdämmerung

Wagner – “Liebestod” from Tristan und Isolde

Weiss – The Rhodora