Hogan’s Brünnhilde was magnificent throughout the final operas, bright and thrilling in Siegfried, incisive and sympathetic in Götterdämmerung in the role’s many demands, not least in terms of stamina, and crowned by a compelling immolation scene.

— The Guardian

Visiting friends

Kelly with Roy Cornelius Kelly and Roy Corneilusafter his FIRST Otello!

 

 

Runi and SusanneWhich afforded a chance to see Runi and Susanne in Mannheim!

 

 

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