Hogan’s Brünnhilde was magnificent throughout the final operas, bright and thrilling in Siegfried, incisive and sympathetic in Götterdämmerung in the role’s many demands, not least in terms of stamina, and crowned by a compelling immolation scene.

— The Guardian

Concert Repertoire

Barber – Andromache’s Farewellconcert_crop

Barber – Knoxville: Summer 1915

Berlioz – Morte de Cleopatre

Beethoven – “Abscheulicher” from Fidelio

Beethoven – “Ah perfido”

Beethoven – 9th Symphony

Britten – War Requiem

Bruckner – Te Deum

Cilea – “Io son l’umile ancella” from Adriana Lecouvreur

Dvořák – Te Deum

Floyd – “Ain’t it a pretty night” from Susannah

Mahler – Symphony No. 2

Mahler – Symphony No. 8

Mozart – Requiem

Poulenc – Gloria

Poulenc – Stabat Mater

Strauss – “Orest, Orest” excerpt from Elektra for concert

Strauss – Final scene from Salome

Strauss – Vier Letzte Lieder

Verdi – Requiem

Wagner – Wesendonck Lieder

Wagner – “Immolation scene” from Götterdämmerung

Wagner – “Liebestod” from Tristan und Isolde

Weiss – The Rhodora