Lady Macbeth of Mtsensk
“The American soprano has dramatic point and a blooming tone, with a vocal thrust that easily surpasses even the orchestra’s fortissimo.” Frankfurter Rundschau
“The American Kelly Cae Hogan, making her first appearance in Kassel, is a stroke of luck as Katerina: she plays the figure with such complexity: arrogantly, passionately, cold-bloodedly, hot loving and deeply despairing. Hogan’s vocal reserves are admirable, her powerful lyricism seizes you.”
Hessische Niedersächsische Allgemeine
![Lady Macbeth of Mtsensk](https://i0.wp.com/kellycaehogan.com/wp-content/uploads/2007/10/Lady_M_of_Mtsensk-150x150.jpg?resize=150%2C150&ssl=1)
“By the last scene the audience feels compassion for Katja, due greatly to Kelly Cae Hogan who in this provocative part, remains vocally not guilty — her dramatic soprano over-radiates throughout the enormous orchestra eruptions, finding again and again touching lyric poetry.” Oberhessische Presse
“Kelly Cae Hogan plays the disturbed, destructive Katja with eminent sensitivity: embodying passion, compassion and hopelesness with moving intensity. Additionally, gifted with a highly moving voice, she obtains Katja’s ambivalent inner torment: strongly expressed with vocal authority.” Opernnetz.de
“With her dramatic intensity, highly expressive musical shapings, and enormous vocal potential, Kelly Cae Hogan receives highest kudos.” Goettinger Tageblatt
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![Lady_M_158](https://i0.wp.com/kellycaehogan.com/wp-content/uploads/2011/12/Lady_M_158-150x150.jpg?resize=150%2C150&ssl=1)
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