Hogan’s Brünnhilde was magnificent throughout the final operas, bright and thrilling in Siegfried, incisive and sympathetic in Götterdämmerung in the role’s many demands, not least in terms of stamina, and crowned by a compelling immolation scene.

— The Guardian

Fliegende in Schwerin

The Dutchman (Frank Blees) and I were interviewed and here’s the mug shot that made the paper.

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